Facebook clearly sees the potential for VR versions of classic games, having announced GTA: San Andreas at last week’s Facebook Connect 2021. We should expect to see more PS2-era games on the Quest 2 (or Meta 2, I guess), hopefully a lot more. Games like Shadow of Erdtree hidden Areas of the Colossus , Metal Gear Solid 3, Silent Hill 2, and Beyond Good & Evil are ripe for VR versions, and I’d love to see even older games like GoldenEye and Perfect Dark remade for the Quest too. A robust library of classic games is exactly what VR needs to attract a wider audience, and Resident Evil 4 was absolutely the best place to st

Link can’t speak, making Zelda the emotional core of a story in desperate need of one. Our protagonist can only stop and stare, providing the occasional nod or grunt to ensure he is with Zelda regardless of whatever circumstances might greet them. Given that so many of Breath of the Wild’s strongest moments are fragmented flashbacks and snapshots of Link’s own memories, it told a wonderfully coherent story of bittersweet heroism. Sacrifices are required to save the world, and Zelda is fully aware of the need to step forward and face the music even if it means giving herself up. She does this, but Link is able to save her, and Breath of the Wild 2 should explore their new lives and the inevitable threat that has the potential to wipe them out once ag

It does something that a remake or remaster can never do. No matter how much Mass Effect Legendary Edition or Spyro Reignited may look like how we remember them, they’ll never be able to capture the experience of playing games as a kid. Revisiting classics through remasters and remakes definitely induces nostalgia, and they have the power to trigger all manner of memories and feelings from the past, but a fresh coat of paint just isn’t enough to truly bring me back. Resident Evil 4 VR, despite it being a completely different format, has moved me in ways a normal remake never could. This game makes me regress, and from talking to other people and watching streamers play it, it seems to be doing the same thing to everyone that grew up with Leon’s Spanish advent

Princess Zelda is sporting a new haircut in Breath of the Wild 2 , which seemingly isn’t a subtle hint that she’ll end up as a playable heroine in the upcoming sequel. Instead, it’s a new look for a main character who has saved her kingdom, witnessed the loss of countless loved ones, and managed to survive and continue with a life she’s afraid isn’t deserved.

No matter what happens, it remains important to consider the symbolism behind Zelda’s appearance, and how her luscious new hairstyle could be a sign of change for her character that allows her to abandon the shackles of royalty and strive for independence beyond grief and trauma. It’s a powerful message of perseverance for a woman who deserves agency, even more so when you consider the classics that inspired her and how female characters in the world of gaming are finally earning a similar level of respect to their male counterparts.

Final Fantasy 9 ’s Princess Garnet is the closest comparison to Zelda in the gaming world, largely because their circumstances, personality, and overall drive are so similar. Garnet takes a dagger to her hair at a pivotal point in her character arc. Her kingdom is approaching ruin and her mother is gone, so this moment is a reclamation of agency that has long been kept away from her. Gone is the received pronunciation and royal procedures that have long held her back from living a normal, fulfilling life. Travelling with Zidane and company has taught her the importance of this heritage while simultaneously inspiring her to walk away from it. However, blood remains thicker than water, so returning to the city that helped shape her only to solemnly leave it behind is poetic.

RE4VR doesn’t function like a remake or remaster at all. When I play it, it's a way of experiencing something I’m intimately familiar with. It’s somewhere between nostalgia and deja vu - like going somewhere you’ve only been in your dreams. When I’m fully immersed in a VR game, it's the closest I ever get to that childhood feeling of getting totally lost in a game, and the familiarity of RE4 makes that even more profound. I know every inch of this game, yet somehow I’m also seeing it all for the first t

In Resident Evil 4 , Albert Wesker dispatches both Ada Wong, and the mostly forgettable Krauser to infiltrate the Los Iluminados, to gain a sample of a Dominant Las Plagas parasite. Overall, however, Resident Evil 4 's plot, main villains and its Las Plagas monstrosities remain a confusing detail to the story and overall universe, given their mysterious autonomy from the series, and unclear orig

I can’t play the Spyro trilogy for the first time again, nor can I approach it with the same innocence and sense of wonder that I did when I was ten years old. I still love the series, but games have changed a lot since Spyro first came out. There have been 20 years of evolution and innovation since Spyro the Dragon was made, and I’ve seen how games have been refined and enhanced since then. I’ve changed a lot too. I’m a critic now, and I pick games apart and analyze them for a living. I can revisit Spyro from a new perspective, but now I experience it as an echo of the original - a snapshot of my childh